RECAPTURE: The Songwriters’ Pension NSAI

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Songwriters tend to let publishers manage their music forever, and that can be a big mistake.

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THE DOORS: Sex, Death and Poetry

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Jim Morrison was rock ‘n’ roll’s first self-declared poet.

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TONY JOE WHITE: King of Funk Country

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Tony Joe White goes out as a groove musician-or not at all…

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ANNE MCCUE: Archetypal Angeleno

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Anne McCue talks about L.A., Sydney, and songwriting.

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NATALIE COLE: Honor & Tribute

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Natalie Cole has always resisted categorization…

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RAY LAMONTAGNE: Centered by Solitude

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Ray LaMontagne’s alarm clock delivered a life-changing epiphany when it blared Stephen Stills’ “Treetop Flyer” at four in the morning…

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TODD SNIDER: Tirelessly Seeking, Helplessly Hoping

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Snider is proof that persistence can nudge open the right doors.

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KRIS DELMHORST: Striking Up a Strange Conversation

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Kris Delmhorst evokes through songwriting…

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SONY/ATV MUSIC NASHVILLE: A Grand Publishing Tradition

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Music Publishing Then & Now

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ABKCO & SONY/ATV MUSIC: Always About the Song

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Music Publishing Then & Now

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GUY CLARK: Walkin’ Man In A Digital World

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For Guy Clark, the necessities of narrative provide a way out of the excesses of allegory…

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WIDESPREAD PANIC: New Frontiers

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On Valentine’s Day 2005, as most men their age scrambled to book last-minute dinner reservations and buy the least-mangled roses at the local Kroger, singer/songwriter Jerry Joseph and Widespread Panic bass player Dave Schools convened on a date of their own in a studio in Athens, Ga.

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