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	<title>Comments on: Interview: Little Joy, Part 1</title>
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	<link>http://www.americansongwriter.com/2008/12/interview-little-joy-part-1/</link>
	<description>American Songwriter Magazine</description>
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		<title>By: Buried Treasure: Little Joy, &#8220;Don&#8217;t Watch Me Dancing&#8221; &#124; American Songwriter</title>
		<link>http://www.americansongwriter.com/2008/12/interview-little-joy-part-1/comment-page-1/#comment-2158</link>
		<dc:creator>Buried Treasure: Little Joy, &#8220;Don&#8217;t Watch Me Dancing&#8221; &#124; American Songwriter</dc:creator>
		<pubDate>Wed, 10 Jun 2009 15:01:36 +0000</pubDate>
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		<description>[...] check out our interview with Little Joy from earlier this year, here: Part 1 &amp; Part 2.    Tagged as: Little Joy, Los Hermanos, Strokes        Name (required) Mail (will not [...]</description>
		<content:encoded><![CDATA[<p>[...] check out our interview with Little Joy from earlier this year, here: Part 1 &amp; Part 2.    Tagged as: Little Joy, Los Hermanos, Strokes        Name (required) Mail (will not [...]</p>
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		<title>By: Joyous Obscura &#124; BrielleZbub's Tales</title>
		<link>http://www.americansongwriter.com/2008/12/interview-little-joy-part-1/comment-page-1/#comment-726</link>
		<dc:creator>Joyous Obscura &#124; BrielleZbub's Tales</dc:creator>
		<pubDate>Sat, 10 Jan 2009 00:05:12 +0000</pubDate>
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		<description>[...] Anyway back to Little Joy - the recordings just tickle my memory stick. First off, they incorporate sounds and styles from early Beatles a la early US rock n’ roll, plus they use the sensitivities of contemporary artists like Jennifer Charles (in her Elysian Fields recordings and perhaps Lovage as well). Add the flavors of Camera Obscura, and I am completely in bliss. I could go on and on about the derivative sounds that these three bring to the table, but just give it a listen and you’ll be wrapt up like a Christmas prez, I promise. Here’s a good interview with Little Joy. [...]</description>
		<content:encoded><![CDATA[<p>[...] Anyway back to Little Joy &#8211; the recordings just tickle my memory stick. First off, they incorporate sounds and styles from early Beatles a la early US rock n’ roll, plus they use the sensitivities of contemporary artists like Jennifer Charles (in her Elysian Fields recordings and perhaps Lovage as well). Add the flavors of Camera Obscura, and I am completely in bliss. I could go on and on about the derivative sounds that these three bring to the table, but just give it a listen and you’ll be wrapt up like a Christmas prez, I promise. Here’s a good interview with Little Joy. [...]</p>
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		<title>By: Interview: Little Joy, Part 2 &#124; American Songwriter</title>
		<link>http://www.americansongwriter.com/2008/12/interview-little-joy-part-1/comment-page-1/#comment-582</link>
		<dc:creator>Interview: Little Joy, Part 2 &#124; American Songwriter</dc:creator>
		<pubDate>Thu, 18 Dec 2008 16:29:20 +0000</pubDate>
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		<description>[...] Interview: Little Joy, Part 2Surprised? Metallica announces Guitar Hero gameAmerican Songwriter Staff Picks for 2008Interview: Little Joy, Part 1 [...]</description>
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