Anders Osborne
Peace
(Alligator)
Rating: 3.5 stars out of 5
Videos by American Songwriter
Those familiar with Anders Osborneās frenetic and electrifying guitar workouts, whether on recent Alligator releases or especially live, may find Peace an unusual name for one of his albums. The cover photo of a young girl throwing you the finger also doesnāt exactly scream tranquility. But donāt let that title deceive you since even though this is a slightly more introspective and less fiery set, Osborneās songs remain tough, sinewy, rootsy and baked in the funky New Orleans sun.
Pulsating rockers such as āFive Bulletsā elbow in on Govāt Mule territory and the hot-wired funk of āLet It Goā is as swampy and sweat soaked as a summerās night on the bayou. The psychedelic, nearly avant-garde āBrush Up Against Meā with backwards tapes and sound effects is eerily reminiscent of Jimi Hendrix at his most experimental. Its juxtaposition against the stark simplicity of the lovely ballad āSentimental Timesā that looks back fondly on a simpler era now gone forever, shows the diversity of Osborneās palette. The crunchy reggae beginning of āSarah Anneā brings yet another sonic vibe to a love song for, you guessed it, his wife, that morphs into a sort of Grateful Dead lope. With the insistent strum of an acoustic guitar, āWindowsā takes an unflinching look back on his life. The songās repeated riff brings a terseness thatās palpable until it explodes with a driving solo thatās pure Anders. The opening title track borrows the lazy electric crawl common to Neil Youngās work with Crazy Horse as the singer seems frustrated because he canāt find a day of peace. He unplugs for āIām Ready,ā placing his yearning voice, somewhat similar to Joe Walshās, into the context of fight to leave his demons behind and move on with his life. Like the rest of these songs regardless of their less raucous attack, itās imbued with a soulfulness, honesty and intensity that is pure and undeniable.
He may not have found that elusive peace he keeps searching for, but Anders Osborne has seldom seemed so vulnerable, emotional yet comfortable in his own skin as he is here.
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